Hi, I’m Daniel Thurman

Daniel reviews cyberpunk books, games, and more.

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  • JUNG_E Review

    JUNG_E is the latest film written and directed by Train to Busan director Yeon Sang-ho. Here the famed South Korean director tries his hand at dystopian science fiction to arguably good success. Its influences are obvious, to the point that some may feel like it is derivative. And that’s perfectly fine. I’ve seen many movies recently that were derivative of previous works but were pretty good nonetheless. This is somewhat common nowadays especially in science fiction, and in dystopian and cyberpunk science fiction in particular.

    Blade Runner is the obvious big influence here. And one might be inclined to note similarities to franchises like The Terminator and Robocop. But I also see elements of some pretty famous anime and manga, the most obvious being Ghost in the Shell. There are also plenty of elements of Gundam, Alita, and Appleseed, among others. In fact the similarities are so bold that I feel like the inclusion of them is likely intentional and in homage to all those classic dystopian and cyberpunk franchises.

    Whatever the case, I feel like JUNG_E was made out of a massive love for the properties and franchises that came before it. And as an homage it definitely succeeds. It looks the part with it’s beautiful cinematography and dazzling special effects. But how is it as cyberpunkery? That’s why we’re here discussing it after all.

    The film takes place sometime in the 22nd century. Sea levels have risen catastrophically high due to climate change, which has caused Earth to become uninhabitable. Consequently most of humanity settles off-world and lives across a number of space colonies. This leads to several colonies banding together and declaring themselves as independent from the rest of humanity. War erupts between the breakaway colonies and the remaining ones. Of course.

    Humanity has nearly perfected a process to copy a human being’s brain into an artificial brain which is then implanted into an android body. This is apparently big business in this world. There are three payment tiers if people want their brains copied into new bodies.

    The first tier is “Class A.” This is astronomically expensive and clearly most people can’t afford it however those in this tier are completely free and treated like any other person after they are copied. There is also a “Class B” tier which is still prohibitively expensive but cheaper than Class A. The drawback is that people who are copied in this tier do not enjoy as much freedom afterward as those who were able to afford the Class A.

    And then there is the “Class C” tier. This one’s free. Though while it doesn’t cost anything, by choosing this tier, people are agreeing to allow an obviously very sketchy corporate entity to copy them infinitely and use them however they like. They can be sold to corporations or to rich upper class citizens to be used as slave labor. Or they can be used as military soldiers to fight in the seemingly endless war.

    The film follows one such military soldier, Yun Jung-yi (portrayed by Kim Hyun-joo), a famous and highly respected war hero who becomes a paid mercenary in order to pay for life-saving surgery for her daughter Yun Seo-hyun (portrayed by Kang Soo-yeon). However she is overcome and nearly killed in a battle that puts her in a comatose state for years with no chance of recovery. Her family, too impoverished to afford a higher tier, signs off to copy her as a “Class C.”

    Yun Seo-hyun later becomes one of the leading AI researchers working for the laboratory in charge of making the copies of her mother (now named JUNG_E). The goal of this laboratory is to perfect the combat of JUNG_E copies by finding out how and why she was defeated in that last battle and find a way to circumvent it. Presumably to create an army of super soldiers based on her.

    They do this by creating endless copies of her and running them through realistic simulations of the fateful battle that nearly killed her. Each time a copy fails, it is terminated and they try again by changing various factors. Here’s where the film’s plot runs into a major ethical problem.

    In JUNG_E when people’s brains are copied into the new bodies, they have all of the memories, life experiences, and emotions of the person they were copied from. And in fact it seems like many don’t even know they are androids at all. They can even feel an approximation of physical pain when their body is damaged. Essentially there is no difference between the AI copies and real flesh and blood humans aside from what they are made of physically. They are like the replicants of Blade Runner, just robotic instead of organic.

    So to be bought and sold as slave labor or, as in cases like Yun Jung-yi/JUNG_E, subjected to relentless torture, is a huge ethical dilemma. And it happens seemingly unchecked and unregulated by any government agency. And that fact is unfortunately never really called into question in this film, which was a bit of a disappointment.

    Yun Seo-hyun, while not exactly thrilled to participate in her mother’s repeated physical and emotional torture, nevertheless does for some reason that I’m not clear on. However she does reach a turning point when it is revealed that the war is ending due to a peace agreement being reached with the breakaway colonies with whom they have been at war for decades.

    The research project, now having no need for an army of robot soldier Moms, is directed to change focus away from combat models of JUNG_E for military contracts and toward marketing them for commercial, non-military purposes such as sexual slavery.

    It is this, and not the repeated torture and death of her mother, that inspires Yun Seo-hyun to take actions against the company she works for and liberate her (and all her copies). And I get it. It’s a step too far. And it’s her Mom. She doesn’t want to see her used as a sex slave for fanboys who grew up playing with action figures based on her (yes this literally happens in the film) or for whatever other frivolous purpose purchasers have in mind for her.

    It’s just a little frustrating at times that all the big moral questions are right there but JUNG_E never quite brings itself to ask them.

    But in spite of this, I really enjoyed JUNG_E. It was beautifully shot, featured some bangin’ special effects, some interesting world building, and great acting from the cast all around. I would Like to have seen more of the outside world to find out what kind of place it is where people would purchase a self-aware, conscious androids for frivolous slave labor. Most of the film takes place in the AI laboratory with only a couple of scenes taking place outside.

    And most of all I found the relationship between Yun Seo-hyun and Yun Jung-yi/JUNG_E touching. And that’s really what this movie was all about. So it didn’t really need to ask the big questions. Sometimes peoples’ motivations are in the smaller, more personal details rather than the grand. And that’s probably something most of us can relate to.

    JUNG_E is currently streaming on Netflix.

  • State Azure Releases Cover of The Terminator Theme

    UK music producer and synth wizard State Azure has released a striking cover of the main theme from The Terminator. This is the latest cover of a classic electronic music track by the artist, who is known for crafting modern electronic ambient music that calls back to the classic Berlin school music of the 70’s and 80’s.

    State Azure’s cover of the iconic theme from The Terminator is an accurate callback to the original song, which was created by composer Brad Fiedel for the first Terminator film. Listening to this track had me seeing scenes from the movie in my head immediately. Which was delightful!

    The song can be purchased from State Azure’s Bandcamp page for the single. If you’re a synth nerd and want to get a glimpse of a live composition of the song, you’re in luck. He has uploaded that to his YouTube channel as well:

    Prior to the theme from The Terminator, State Azure also created covers of various songs from beloved media franchises, including Blade Runner with 2022’s release of Rachel’s Memoir on which he covered the songs “Rachel’s Song” and “Memories of Green.”

    He’s also released several covers of songs by Berlin school heroes Tangerine Dream, whose work has been heavily influential on so many who have gone on to create some of the best electronic cyberpunk music.

    It’s not all covers however. The majority of State Azure’s music is original compositions, and all of it really fantastic. You can check him out via his Bandcamp page. There is a lot of music on offer there for people who are into cyberpunk, future-dystopian, and tech-noir media.

  • Killtopia Volume 5 Is Live on Kickstarter

    Killtopia, the stylish ultra-violent cyberpunk comic from author/creator Dave Cook is on it’s fifth and final installment. This volume, as in the previous four, is being funded via Kickstarter. Killtopia Volume 5’s Kickstarter page is now live. As of the writing of this article, the comic is already past the halfway point for funding.

    The first Killtopia volume was funded back in March of 2018 and introduced the world to a violent yet high-concept storyline with memorable characters and wild art design. The series has since been a success having successfully funded the subsequent volumes. Killtopia Volume 5 seems poised to continue the tradition of the Killtopia universe while also saying goodbye to it for now, sadly.

    This campaign is for the fifth and final Killtopia book – a 55-page epic finale that completes our story of Mech hunters in Neo Tokyo.  We’re running this campaign to help us fund production of the book, including art, colouring, lettering and printing. With your help, we’ll ship in June 2023.

    Kickstarter

    If the Kickstarter for Killtopia Volume 5 is sucessful, which seems pretty likely, the creators aim to have the comic in your hands by June of 2023.

    It’s hard to believe that the fifth and final volume of Killtopia is on its way. It seems like it hasn’t been very long at all since we got our first taste of the delightfully abysmal gore that Neo Tokyo had to offer.

    If Killtopia Volume 5 being the final entry in the series makes you sad, not to worry. Dave Cook has another comic series called BPM: Beatdowns Per Minute. BPM takes place in the same universe as Killtopia, albeit in the past of that world.

    Killtopia Volume 5 won’t be the last you see of the series. It’s being adapted into an animated TV series as well. The series is being developed by California-based startup Voltaku. So that’s something to keep an eye out for.

  • Upcoming Software Synth by Cherry Audio Seems Very Blade Runner-Inspired

    Cherry Audio is a music instrument maker known for their soft-synths (software-based synthesizers). Their diverse range of synthesizer plugins are widely used by musicians around the world. The company just announced its new upcoming synthesizer via an ad that has some familiar tropes. Take a look:

    The ad is clearly very inspired by Blade Runner. And so is the synthesizer itself by the sounds of it. If you listen to the music as it comes into focus at the end of the ad, you will hear what sounds like lost tracks from the Blade Runner score composed by Vangelis himself. Only it’s not, of course. And I freaking love it.

    Over a year in the making, Cherry Audio’s flagship synthesizer arrives from off-world on *Tuesday, November 22nd, 2022*, at 10 am Pacific Standard Time.

    YouTube

    Cherry Audio is calling this upcoming synth their flagship product. And according to the above ad, it is going to “replicate the greatest synthesizer of all time.” I find this very interesting. I am not a musican (though I have dabbled over the years) so I don’t know what synthesizer this is referring to. But it sounds like this upcoming synth is going to emulate it. And this makes me tempted to buy it and play around with it myself.

    The genius minds at Cherry Audio clearly know what they’re doing with software synthesizers but we have to give huge props to their marketing department as well. I have to give credit where credit’s due. The “flagship” synth is set to be released on November 22nd if you are interested in getting it.

    [Source: matrixsynth]